Film and its formal elements

Film and its formal elements

Film uses images that represent objects and people like the one we experienced in everyday life. The camera helps in taking pictures and images that is represented in the form of finished product with the help of laboratory equipments. Everything we see in the film undergoes an extremely complicated fictional process. These processes of reproduction are invisible. In this lengthy process film is edited to give it a desired shape or form keeping in view that what effect an impression the film maker wants to give his audience. To achieve natural effects on films, you need something to be photograph, a camera, a filmic story, editing equipment labotaries, a projector, and a screen, all this machinery process leads to the fictional shape of film making. This fictional process is done behind the same away from again. To need to learn now images in the poem for study are used by the writer to give certain meaning. Similarly we must acknowledge that we have to read moving images to understand its meaning. Narrative film has always tried to break the traditional rules of film making. Narrative film is photograph within highly prescribe series of convention. To imitate and represent the world of experience, film genre utilize model technological equipment and presents a make believe that is fictional world. It is perfect replicas of the world of our sensory perception.Film production companies manufacture images and its reproduction enlarges volumes. Here film is the commodity or product and audience or spectator is its costumer. In contemporary films basically there are two processes aesthetic and commercial.

Formal elements of film

Narrative:

Narrative is ancient art of storytelling about its story, characters and worlds from its narrative. The narrative is present as soon as the script is finished and before the production of the movie begins. This is pure literature. Whether someone like the story and can connect with the character is the basis for their appreciation of the film.

Cinematography:

It is define as the writing movement which depends largely on photography. The art of cinematography is concerned just as much how something is being filmed. The cinematographer or director of photography adds to enhance the narrative through control of the camera. In cinema there is pictorial consideration that does not exist in still photography. Movement unlike photography or painting in cinematography the framing of an image can move.

Sound:

It is most powerfully visceral and subtly influenced accept of film. Component of sounds are dialogue, sound effect and music. More than any other elements music has power to save the viewers feelings and perception of the scene. Dialogues and sound effects, while over power in effect than music are essential in bringing us into the film and suspending our believe.

Editing:

It is called the key to cinema. It is unique to the medium; an editor uses time and continuity as a tool in presenting the narrative. Editor’s job is to piece the whole movie together from all of the scenes and different cameras. The common technique is cut which one shot simply transaction abruptly into the next.

Mise-en-scene:

It is everything that appears in the frame for example, sets, location, actors, props, custom, light and shadow. It can be realistic or abstract, purely background or an interactive active elements. It is contributed by a variety of talents on the film crew that is production, designer, makeup artist, set builder, actor or cinematographers everything included for artist direction and purpose.

Camera and image

Non presents of the camera

Even though camera has to play great role in making a film but it is always hidden in the film. The camera makes the boundary line and its capture the 180 degree angel infront of its lenses. The film viewers and the audiences who sit in the theater to watch movie may or may not be aware of the presents of camera between them and what is presented on the screen. Because of the artistic representation of cinematographers or movie maker behind the camera who uses various equipment that contributes in making a film. Film products for its consumer. The boundary line divides the unit who remains behinds the camera and the actors who are presented infront of the camera. Camera has also got its restriction; it can only photograph of things, images that captured with the lens. The flash behind the camera is occupied by the film crew members who are always invisible. Even when camera in turn to opposite direction, we don’t see the film crew standing behind the everything is reverse. In the modern film director deliberately rotate the camera, horizontally on its base to make the audience believed that nothing is hidden behind the camera. Yet the simultaneous moment of camera, camera man and crew members are always hidden. So that the camera and the space between it remains mysterious in the movie.

Shape of the image

The images are framed inside the screen of the theater is like the frame of a photograph. If the film reels are not projected it is like an empty frame. Image must be centralized and kept within the boundary. The length and the breadth of the images are carefully measured. It must not be spill out of the screen, the top of the head should not be cut off. Another usefulness of the frame is it enables us to put image in the central position. This tendency to focus at center comes from Renessia painting. The major function of the camera is to put most important action in the center of the screen frame. If other images are important than it can move the camera accordingly. The camera project is prospective by creating a some particular images and suspending the others. The moment of the camera takes place in camera, images but this flexibility does not take place in painting and drawing which are frozen and still form. Beside physical fit of frame the set of images proportion has received attention from those who produce them. The relative’s size of the horizontal and the vertical edge of the frame called aspect ratio of the image. Cinematic composition is important in literature and arts. Composition of this art traditionally has been called; evoke the distribution of parts within the fixed frame. The shape of the image is not changed through the composition. Rather the quality and texture of images can be modified. To major practices in composition are:

Fixity- Some directors prefer immobility or stillness and fragility of images within the frame. In such movies the moment of camera can be easily felt as the characters and objects are presented frozen in time and suspended in a space example Rubrick’s Bory Lyndon and Lemi Reintenstalc’s trump of the wheel.

Fluidity- Some director would rather permit object and people to move freely through the space held by the camera. This helps to modify the composition of images, characters and object more fluidity. For example, directed by Howard Hawks and Jean Renoir’s movie tends to be in motion through the frame. The vents moves pass the past the camera rather than the camera moving to take in an object and thus creating an event through movement.

Reference-

Silverman, M. (2013). New York: Oxford University Press.